Summer of Drones – Ottawa

summer_of_drones_ottawaSo, how exciting is this? I just came across this announcement for a local hackathon for anyone interested in hacking AR Drones. I’m hoping to attend, and I’m planning to take a bunch of vids and pics and post them here. Anyone interested in hacking Parrot drones for fun should plan to register (the registration is not yet open).

If you’re wondering how this will work here’s a link to a recent drone hackathon hosted in San Francisco.

We Robot Conference – Miami

We_Robot_logoI’ll be attending the inaugural We Robot conference at the University of Miami School of Law in April, to present a paper titled “Delegation, Relinquishment, and Responsibility: The Prospect of Robot Experts”. It looks to be a very exciting conference dealing with legal and policy issues related to robots.

The paper is co-authored with Ian Kerr, who holds the Canada Research Chair in Ethics, Law, and Technology at the University of Ottawa Faculty of Common Law.

The Extremes and In-Betweens of Synthetic Biology

I was recently asked to blog about a conference on Synthetic Biology. Here’s a teaser. You can read the full entry here.

When a cartoon is in the early stages of production artists craft the storyline by creating a series of still images. Those images, referred to as “extremes”, depict characters in their most exaggerated positions and are often used in the final stories as visual hooks and punchlines for the audience: anvils are falling on heads; bodies are magically suspended miles above ground; tears are streaming from eyes. Chuck Jones, who famously created the Road Runner and Wile E. Coyote characters for the Looney Tunes series of animated shorts, was a master of extremes. In the example here, Wile E. Coyote has just suffered his first ever T.N.T. mishap at the hands of the Road Runner. In addition to hooking the audience, extremes can be thought of as caricatures of the characters and plot.

Read the full post here.